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                                            <image:caption>&lt;h1 style=&quot;--font-scale: 0.7;&quot;&gt;Artist Interview: &lt;b&gt;Monnie&lt;/b&gt;&lt;/h1&gt;&lt;span style=&quot;--font-scale: 1.81;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;--font-scale: 0.98; line-height: 1.8;&quot;&gt;Monnie, known as @monnie.mp3 on Instagram, is a Melbourne based indie-rock and alt-pop musician who joins me to chat about their songwriting process, give a sneak peak into their Spotify Wrapped and perform the first ever acoustic rendition of her recent single &amp;#x22;Chips&amp;#x22; live in the studio.&lt;/span&gt;&lt;br /&gt;
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                                            <image:caption>&lt;h1 style=&quot;--font-scale: 0.65;&quot;&gt;&lt;span style=&quot;line-height: 1.15;&quot;&gt;&lt;b&gt;Jacinta Parsons: &lt;/b&gt;Talkback Radio &lt;/span&gt;Forever&lt;b&gt;&lt;/b&gt;&lt;/h1&gt;&lt;span style=&quot;--font-scale: 1.81;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;--font-scale: 1.07;&quot;&gt;&lt;text-icon icon=&quot;broadcast&quot;&gt;&lt;/text-icon&gt; &lt;i&gt;&lt;/i&gt;&lt;i&gt;SYN FM 2025 Best Interview&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;--font-scale: 0.01;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;--font-scale: 0.98; line-height: 1.8;&quot;&gt;Jacinta Parsons discusses how talkback radio acts as a site of community connection and reflects on her PhD thesis &amp;#x22;Working with half the script: The role of the broadcaster in the creation of community connection in talkback radio&amp;#x22;. She shares how her radio career has shaped her, telling us about her first ever radio game show &amp;#x22;shmankety shmood&amp;#x22; and her fake... yet successful... detective agency with Brian Nankervis.&lt;/span&gt;&lt;span style=&quot;--font-scale: 1.31; line-height: 1.8;&quot;&gt;&lt;br /&gt;&lt;h1 style=&quot;--font-scale: 0.6;&quot;&gt;&lt;br /&gt;&lt;audio-player browser-default=&quot;false&quot; label=&quot;Play&quot; loop=&quot;false&quot; src=&quot;https://drive.google.com/file/d/1VgZNe0jBPRDTfqjuiQTNmkfyNJWeTMSo/view?usp=sharing&quot;&gt;&lt;/audio-player&gt;&lt;/h1&gt;&lt;/span&gt;</image:caption>
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                                            <image:caption>&lt;h1 style=&quot;--font-scale: 0.7;&quot;&gt;Artist Interview: &lt;b&gt;Monnie&lt;/b&gt;&lt;/h1&gt;&lt;span style=&quot;--font-scale: 1.81;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;--font-scale: 0.98; line-height: 1.8;&quot;&gt;Monnie, known as @monnie.mp3 on Instagram, is a Melbourne based indie-rock and alt-pop musician who joins me to chat about their songwriting process, give a sneak peak into their Spotify Wrapped and perform the first ever acoustic rendition of her recent single &amp;#x22;Chips&amp;#x22; live in the studio.&lt;/span&gt;&lt;br /&gt;
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                                            <image:caption>&lt;h1 style=&quot;line-height: 1.15; --font-scale: 0.65;&quot;&gt;&lt;b&gt;Ella Mccutcheon: &lt;/b&gt;The Secrets of Modelling&lt;/h1&gt;&lt;br /&gt;&lt;span style=&quot;--font-scale: 0.98; line-height: 1.8;&quot;&gt;Ella Mccutcheon, a Paris based international runway and editorial model, has walked for designers such as Versace, Saint Laurent and Chanel. Scouted as a teenager in Perth WA, he shares her experiences working in the industry.&lt;/span&gt;&lt;h1 style=&quot;--font-scale: 0.6;&quot;&gt;&lt;br /&gt;&lt;audio-player browser-default=&quot;false&quot; label=&quot;Play&quot; loop=&quot;false&quot; src=&quot;https://drive.google.com/file/d/1o3KHald7u9g6-zkC6aOnu9hOGJQLGyAS/view?usp=sharing&quot;&gt;&lt;/audio-player&gt;&lt;/h1&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;h1 style=&quot;line-height: 1.1; --font-scale: 0.65;&quot;&gt;&lt;b&gt;Dr Megan Sharp: &lt;/b&gt;Cringe Culture&lt;/h1&gt;&lt;span style=&quot;--font-scale: 1.81;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;--font-scale: 0.09;&quot;&gt;&lt;span style=&quot;line-height: 1.8; --font-scale: 0.98;&quot;&gt;Do you suffer from ironic detachment? Do you feel as though your every move is a performance and if you make one wrong choice you risk social rejection? These are all symptoms of a debilitating phenomenon called... cringe culture. Dr Megan Sharp from the University of Melbourne gives insight into why many young people feel this burden in the digital age and encourages us to be cringe.&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;h1 style=&quot;--font-scale: 0.6;&quot;&gt;&lt;br /&gt;&lt;audio-player browser-default=&quot;false&quot; label=&quot;Play&quot; loop=&quot;false&quot; src=&quot;https://drive.google.com/file/d/1o3KHald7u9g6-zkC6aOnu9hOGJQLGyAS/view?usp=sharing&quot;&gt;&lt;/audio-player&gt;&lt;/h1&gt;</image:caption>
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                                            <image:caption>&lt;h1 style=&quot;--font-scale: 0.7;&quot;&gt;Artist Interview: &lt;b&gt;ctrl + me&lt;/b&gt;&lt;/h1&gt;&lt;br /&gt;&lt;span style=&quot;--font-scale: 0.98; line-height: 1.8;&quot;&gt;In anticipation of his newest 33 track album set to be released in 2026, Michael Vince Moin, the artist behind the project ctrl+me chats about his musical influences growing up, followed by a wonderful acoustic performance of his songs “KID PARIAH” and “i am your defender”.&lt;/span&gt;&lt;h1 style=&quot;--font-scale: 0.6;&quot;&gt;&lt;br /&gt;&lt;audio-player browser-default=&quot;false&quot; label=&quot;Play&quot; loop=&quot;false&quot; src=&quot;https://drive.google.com/file/d/1l5xOg9QbrvSQguOuq0v_UauvKQ7LQGZ0/view?usp=sharing&quot;&gt;&lt;/audio-player&gt;&lt;br /&gt;&lt;/h1&gt;</image:caption>
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                                            <image:caption>&lt;h1 style=&quot;line-height: 1.15; --font-scale: 0.65;&quot;&gt;The Queensberry St Cooperative: &lt;b&gt;Patrick Meaney&lt;/b&gt;&lt;br /&gt;&lt;/h1&gt;&lt;br /&gt;&lt;span style=&quot;--font-scale: 0.98; line-height: 1.8;&quot;&gt;The Queensberry Street Cooperative is the new community gathering space for lovers of baked goods, astrology and fermentation. Located at 688 Queensberry St, this Coop has recently opened up a brand new cafe! Patrick Meaney, one of the co-directors, shares how this new space is bringing together the people of North Melbourne and why he is so passionate about fermentation as a conduit for food systems change.&lt;/span&gt;&lt;h1 style=&quot;--font-scale: 0.6;&quot;&gt;&lt;br /&gt;&lt;audio-player browser-default=&quot;false&quot; label=&quot;Play&quot; loop=&quot;false&quot; src=&quot;https://drive.google.com/file/d/1o3KHald7u9g6-zkC6aOnu9hOGJQLGyAS/view?usp=sharing&quot;&gt;&lt;/audio-player&gt;&lt;/h1&gt;</image:caption>
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                                            <image:caption>&lt;h1 style=&quot;--font-scale: 0.65;&quot;&gt;Why We Can’t Stop Saying Like: &lt;b&gt;Olivia Molly Rogers&lt;/b&gt;&lt;/h1&gt;&lt;span style=&quot;--font-scale: 0.01;&quot;&gt;&lt;span style=&quot;--font-scale: 0.98; line-height: 1.8;&quot;&gt;&lt;br /&gt;
So, like, do you ever find yourself saying “like” as, like, every second word of your, like, sentences?&lt;br /&gt;

&lt;br /&gt;
 Once you notice it, you can’t unnotice it. Speech pathologist, host of the podcast &lt;i&gt;&lt;a href=&quot;https://open.spotify.com/show/6ZEi5QBZXfBq2l5s65LJcT&quot;&gt;Tell Me More&lt;/a&gt;&lt;/i&gt; and Miss Universe Australia 2017, &lt;a href=&quot;https://www.instagram.com/oliviamollyrogers/?hl=en&quot;&gt;Olivia Molly Rogers&lt;/a&gt; examines whether it’s bad to say &amp;#x22;like&amp;#x22; so often and if it is, how we can change it.&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;h1 style=&quot;--font-scale: 0.6;&quot;&gt;&lt;br /&gt;&lt;audio-player browser-default=&quot;false&quot; label=&quot;Play&quot; loop=&quot;false&quot; src=&quot;https://drive.google.com/file/d/1o3KHald7u9g6-zkC6aOnu9hOGJQLGyAS/view?usp=sharing&quot;&gt;&lt;/audio-player&gt;&lt;/h1&gt;</image:caption>
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                                            <image:caption>&lt;h1 style=&quot;--font-scale: 0.65;&quot;&gt;The Secret Stories of Community Radio: &lt;b&gt;Luke Raisback&lt;/b&gt;&lt;/h1&gt;&lt;span style=&quot;--font-scale: 1.81;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;--font-scale: 0.98; line-height: 1.8;&quot;&gt;Ex-SYN volunteer Luke Raisback reflects on his long career in radio, looking at the changes that have made radio what it is today. &lt;/span&gt;&lt;h1 style=&quot;--font-scale: 0.6;&quot;&gt;&lt;br /&gt;&lt;audio-player browser-default=&quot;false&quot; label=&quot;Play&quot; loop=&quot;false&quot; src=&quot;https://drive.google.com/file/d/1o3KHald7u9g6-zkC6aOnu9hOGJQLGyAS/view?usp=sharing&quot;&gt;&lt;/audio-player&gt;&lt;/h1&gt;</image:caption>
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